I think it was wise of
Lunsford and Ede to reconcile our most common criticisms of Aristotle
with a more nuanced reading of not only the Rhetoric
but his entire philosophical system. As Dr. Yancey has often
mentioned, it is a bit foolish on our part to speak about a thinker
when we do not have a grasp of his/her entire system. Lunsford
and Ede do a good job of parsing out a closer reading of Aristotle,
pointing out that the classical rhetor need not manipulate an
audience's emotions in a monological act. Instead, drawing on Bitzer,
they point out that “Enthymemes only occur when speaker and
audience jointly produce them...[they] intimately unite speaker and
audience and provide the strongest possible proofs” (44). This
reading of the enthymeme closely resembles how I've always thought
about them, as they are wholly dependent on audiences to complete the
syllogism, by providing either a premise or conclusion through the
doxa of a given time and
place. In this regard, I see how one may read the use of enthymeme as
a sort of consubstantiality, as enthymemes take for granted some sort
of common ground between rhetor and audience.
This
re-envisioning of audience is also at play when Lunsford and Ede zoom
out to examine the whole of Aristotle’s systematic philosophy; as
the man wrote treatises on anything and everything, Lunsford and Ede
assume that each treatise could interlock with the next, as they
point out a major principle of Aristotle's philosophy was that of
integration (40). Since his writings present a comprehensive
philosophical system, it is erroneous to consider one writing in
isolation of the rest, hence why we see a classical rhetor as being
manipulative. But we see that a rhetor is not manipulative when we
look at the concept of animism, the idea of “dynamic interaction
between an agent and an object undergoing change” through the
process “...in which an object acquires characteristics or
properties” (41). While this phrasing does seem to privilege the
agent over object, if we read it through the enthymematic lens of
cooperation between rhetor and audience, I think we can see that both
are changed and can acquire new characteristics through rhetorical
acts. Hence, the rhetor acts a mid-wife who “focuses and directs
energies inherent in the listener...” rather than maliciously
manipulating them (41).
While
it is true that Lunsford and Ede only make mention of two media,
speech and print, I don't think its necessarily an oversight on their
part. Without any signifying dates in the PDF, it is quite possible
that their article was published before the field's “multimodal
revolution,” so it wasn't relevant to the conversations we were
having at that time. But, if you agree with Logan's contention that
writing has always been multimodal (and I'm inclined to do so),
Lunsford and Ede fall well within the parameters of multimodality. As
we have increasingly turned our attention to the digital, I think the
reconciliation between classical and modern rhetoric holds up, as
multimodal texts sometimes allow for even more audience participation
than speech or print. Just as the world continues to change, we must
adapt with it to compose a variety of new texts that will rely on the
doxa of our audiences;
this is just as true today as it was 2,000 years ago.
No comments:
Post a Comment