Last semester, I attended a diversity symposium that
examined the music video for rapper Lupe Fiasco’s song “B***h Bad”. I found the
video truly fascinating, partially because of the way that it implied femininity as
socially constructed through music, but also how it raced femininity. The song connected present day rap
and hip hop music to 19th century minstrel shows. After doing some
reading about the song and the artist, I discovered the hail storm of
controversy that the video created. Fan support was enormous, but critics in
the industry found the message so antagonistic, they attempted to silence it by
blocking its release. While certainly only one example, this video provides a stunning
illustration of how the rhetoric of race is a contemporary concern.
Warning: Video contains some graphic images and language
Fiasco’s video is part of a long tradition
of people of color using rhetoric to address issues of race. There are very few
spaces a person can enter in this country where people are not talking about
race in some way. Perhaps because of the election of Barack Obama or the
increase in the number of representations of people of color in media, among a
great number of other factors, people are using rhetoric to discuss race, and
the conversations are passionate.
But really, when you think about it, rhetoric seems to
always be employed to discuss race. It was the rhetoric of the Catholic Church
that helped to establish the concept of race in the first place, suggesting
that God had made groups of people biologically inferior. Rhetoric helped to
justify the enslavement of African people and the extermination of Native
American people on American soil.But, speeches, photographs and written appeals were also used to support the abolitionist cause. Rhetoric has been use to establish arguments
both for and against emancipation, suffrage, and equal access.
Some of this country’s greatest addresses
have been centered around a racialized discourse—Sojourner Truth’s “Ain’t I A
Woman”; Frederick Douglass’ “What to the Slave Is the Fourth of July”; and,
Martin Luther King Jr.’s “I Have a Dream”. All of these have historically demonstrated
the connection between rhetoric and action. And, while all of these examples
are historical and seem, perhaps, passé, these conversations still persist
today. Technology has helped to advance the rhetoric of race, to provide social
commentary about 21st century concerns about the role of black
people in America.
Tarantino’s blockbuster slavery/ spaghetti western Django Unchained has advanced the
conversation of race in recent days, making interesting commentary about the
paradoxes of slavery, how race is socially constructed, and how such
constructions impacted the subjectivity of black people in the rural south. Stephen
Spielberg’s Lincoln also discusses
slavery, but in a much different way, portraying the historical implications of
a discourse of race but having his slaves operate in the periphery. Television
shows like New Girl, Modern Family, and
Better Off Ted make some smart racial
commentary connected to post-modern and post-race theory.
What I find most interesting, though, is the way that race and
rhetoric tend to lead to action. Bizzell and Herzberg talk about one definition
of rhetoric as being a study of the persuasive effects of language. It seems
clear that at the juncture between race and rhetoric exists a space where
well-informed, powerfully-compelling arguments help sway the tide of public
opinion and advance activism in the field.
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